Don Maddox. 1922-2021

The Modesto Radio Museum mourns the loss of Don Maddox, the last surviving member of “The Maddox Brothers and Rose.”

They began singing on KTRB in 1937, sponsored by Rice Furniture.   Radio propelled them into Central Valley Superstars, and Maddox Brothers and Rose went on to nationwide fame, with hit records and concerts throughout America.  They were favorites on The Louisiana Hayride and the Grand Ole Opry.

Don, second from the left, spent his final years in Ashland, Oregon.

Don had a wonderful career resurgence 50 years after his success with Maddox Bros and Rose, playing at the Britt Festival in Jacksonville, Oregon, opening for Big and Rich, performing at the Muddy Roots festival in Cookeville, Tennessee, in 2011 and 2012, playing on The Marty Stuart Show, and a receiving a standing ovation show at the Grand Ole Opry. He also performed in Las Vegas at the first annual Rockabilly Rockout at the Gold Coast Casino on October 5, 2014.

The Maddox Brothers on the air on KTRB!

From a broadcast, a medley of songs, and a promo for their sponsor:

Don was 98 years old.

Read the story of Maddox Brothers and Rose

Sennheiser MD 421 Microphone

Here’s a favorite microphone of disc jockeys; a high quality cardioid dynamic unit designed and made in Germany. The Sennheiser MD 421 came out originally back in the 1960s. This mic is still used at radio stations all over the country to this day.

 

Sennheiser MD 421-I Microphone
Sennheiser MD 421-II Microphone

The MD 421 has a robust sound; it has a slight boost in the mid-high frequency range for a brilliant response. The MD 421 is also fitted with a low frequency roll off switch to compensate for close talking.

Sennheiser MD 421 Microphone pattern. Bass roll off switch and graph.

All in all the MD 421 is an excellent choice for radio control rooms and is a top choice of many announcers and voice-over artists. So we chose the MD 421 to add to our Mr. Microphone line-up on the Modesto Radio Museum site!

Showing radio control room setups with the MD 421 with foam windscreen.

Hear and see demonstrations of the Sennheiser MD421 microphone on the Coutant Microphone Website links below:

Sennheiser MD421 microphone  audio sample.

Sennheiser MD421 microphone response curve sample

Sennheiser MD421 microphone roll off audio sample

Back to Microphone Man Index

Mel Williams – Aircheck

 

Mel Williams, a wise and well-respected member of the Modesto community, was familiar to radio audiences for nearly a quarter-century as a genial program host who offered up mellow sounds and insight commentary drawn from his encyclopedic knowledge of music. In addition, he was an accomplished musician.

Mel Williams on Sax

Mel’s radio career began in 1974 with a one-hour program on KHOP in Modesto. Following KHOP he found a home at KUOP-FM where jazz listeners from throughout the valley would tune in at 6 o’clock to hear him open his KUOP-FM show with: “Good evening, my wonderful listening audience…this is the world of Mel Williams.”  He was at KUOP-FM for 13 years. In a 1990 interview, Mel said: “Music is my first love, and it will probably be my last.

Mel Williams 1994 (Photo courtesy of Laura  Jensen-Hooker)

Mel Williams died May 30, 1999 in Modesto, CA. He was 69.

Here’s a segment from “The World of Mel Williams,” courtesy of KUOP-FM. 

The following airchecks were donated to the Modesto Radio Museum by Christian Walter of Pocatello, Idaho. Christian lived in Modesto back in the ’90s and recorded many of “The World of Mel Williams” programs.

The World of Mel Williams on KUOP-FM,  hour one from March, 1996

The World of Mel Williams on KUOP-FM,  hour two  from March, 1996

 

Gary Avey’s Radio Journey

By Derek R. Waring

Gary Avey’s interest in radio began as a youngster back in the early 1950s. He was fascinated with, of all things, microphones! Belonging to the 4H club in the San Fernando Valley of Southern California, Gary was able to acquire PA sound equipment from selling animals at auction at the local fair. He used that sound system for their monthly 4H meetings and other 4H events.

Growing up in the LA area Gary loved listening to the wide variety of radio stations, noting how their different formats worked. He watched a lot of early ’50s TV as well and noted how microphones were used in different program situations (Editor’s Note: Gary is our Microphone Man).  Gary’s dad encouraged his interest and after graduating from high school he decided he wanted to enroll in the radio broadcasting course offered at the Don Martin School of Radio and Television Arts and Sciences in Hollywood. This school offered a complete course that included instruction in all phases of radio production and announcing as well as Federal Communications Commission (FCC) First Class Radiotelephone license test preparation.  After completing the year long course and getting his FCC license Gary was  hired at KYOS radio in Merced, Ca. in 1959; his very first job in radio.

Gary’s first job, KYOS, Merced – 1959

KYOS was an old station that dated back to the mid 1930s. It was a 5,000 Watt full time AM station with a directional pattern at night which required an operator with a “first phone” FCC license. KYOS had an M-O-R, or “middle of the road” type music format with Mutual Network newscasts every hour. At night they had a teen music show called: “Rotinom” which was a title the station manager came up with. It was “Monitor” spelled backwards! Gary says he is sure the kids listening had no idea what Monitor, the NBC Radio Network’s weekend program that started in the mid ’50s was. Rotinom was an all request teen record show in that very beginning era of “rock ‘n roll” music. Gary says he was “thrown” into doing this show every night Monday through Friday which was quite an adjustment for him as he didn’t even like rock ‘n roll at the time!  He did survive the test and learned quite a lot about this new music called rock “n roll.  KYOS, after about a year, converted to a Top 40 music station guided by programming consultant, Ted Randall, who was a popular personality at San Francisco’s KOBY.  Ted supplied KYOS with copies of all the Top 40 records which made things much easier than if they would have had to get them themselves.  Gary was assigned the duties of “music director” at KYOS; this entailed lining up the order of play of all the music for each DJ shift.  He remained at KYOS for two more years gaining valuable experience.

After KYOS Gary moved up Highway 99 to Modesto’s Top 40 station, KFIV . At K5, as it was called, their format was known as: “The Top 45 on K5.” It was a much better run operation than KYOS; their studios were better equipped to deliver the fast paced rock ‘n roll format. The building was built as a radio station; the studios were well designed and had a “sound lock” where one walked into a small room and the door closed behind them then they could go into the small production studio or the bigger main control room through their doors; this kept outside sounds from entering the broadcast studios. K5 did not yet have cartridge tape machines, all local recorded spots had to be played on reel-to-reel tape machines from small 3 inch reels. The DJs were constantly “cueing” up tapes on five Magnecorder  tape machines as well as cueing up 45 rpm records. It was a whirlwind of activity.  Gary’s boss at the time said, “being a disc jockey is like a being a one armed wall paper hanger!”

K5’s operations manager was Gene D’Accardo who had been with KMOD and KTRB. Gene also did a 15 minute local newscast at noon, as well as a later afternoon newscast. He was the production guy voicing most of the recorded local commercials as well as promos. Gene went on to become a newsman and eventually News Director at NBC’s KNBR in San Francisco.

Mel Freedman, K5’s chief engineer, was installing the first cart machines on Gary’s last day at the station! Mel was quite a character and a superb engineer who really knew his stuff. Being a DJ was not something Mel aspired to be but he did reluctantly pull an air shift. He followed Gary from 8:00 PM to midnight, at which time K5 signed off the air until the next morning. Mel didn’t say much on the air just the minimum to get by; he definitely was NOT a “rock jock” but he was an excellent chief engineer.

K5 used four turntables in the control room, two 12 inch Presto units that were only used to play the music on 45 rpm records and two larger 16 inch turntables that were used to play the various “agency” commercials that, in those days, were recorded on 12 inch records called “ETs” for “electrical transcriptions.”

KFIV had only had those call letters for about 4 years, when Gary was there, it had been KMOD before that. KMOD was an ABC radio affiliate and KFIV continued that affiliation which meant that they carried many network programs including Don McNeil’s “Breakfast Club” every morning and  a few ABC news and comment programs in the late afternoon.

Gary Avey was all of 22 years old when he worked at K5; he enjoyed his time there and would liked to have stayed longer. Instead he joined the Navy and became an electronics tech, receiving his training at Treasure Island in San Francisco.  It was also at this time that he married his wife Norma just before setting sail across the Pacific to Hawaii and then to the Philippines to Subic Bay Naval Station.

While at Subic Bay the Navy found out that Gary had radio experience so he had the opportunity to work at an Armed Forces Radio Service (AFRS) station on the base. It was a little 250 watt AM station that even had call letters, KCMB.  Gary recalls that Armed Forces Service stations were not really supposed to have call letters but this station was somehow allowed to use them. Gary was assigned to do the morning show for KCMB. He used music that was produced and sent over from the Hollywood headquarters of  AFRS on pressed vinyl records. These were 12 inch LPs that had multiple cuts on them with the top tunes by the original artists in the Top 40 and easy listening genres. KCMB also had recordings of state side radio programs that could be scheduled as needed. The morning show was fun says Gary; he was given free reign to do the show as he wanted with no hard and fast rules. There were many Navy families living on the base who listened, as well as the Filipino community in the nearby town who loved listening to American radio. Gary was required to read the news on occasion.  This duty usually popped up when the taped newscasts from AFRS shortwave stations in South Korea or Japan were of such poor quality that they could not be broadcast.  KCMB did have an American wire services teletype machine but even that was “iffy” due to the poor condition of the telephone lines in the Philippines.

1962- Gary Avey at Subic Bay Naval Base in the Philippines when he was a DJ on the Armed Forces Radio Service.

After the Navy Gary returned to California in 1963. He needed a job and radio seemed to be the most logical way to go. So Gary began his search; he searched and he searched. Starting with KFIV he talked with Gene D’Accardo about coming back. Gene had an opening but it was the all night shift and Gary wanted none of that. He headed up Stockton way stopping at KSTN which at the time was under the consultation of Bill Drake of “Boss Radio” fame. It was early in his career and shortly before Drake began programing KHJ in Los Angeles and KFRC in San Francisco. KSTN did not have an opening. Next it was over to San Francisco where Gary visited an old Don Martin classmate, Bill Keffury, who had become the Program Director of KYA. Bill took Gary and his wife Norma out to dinner and gave them a tour of the station. Gary decided he was not quite ready for San Francisco radio though!  Next stop Santa Rosa where Gary met with another of his Don Martin buddies, who did the morning show at KSRO; no openings there either.

Maybe there was a place for Gary up Sacramento way!  He started up the Sacramento Valley checking in at KGMS which happened to be owned by the same people who owned KFIV.  Gary walked into the building and ran into Mel Freedman! Mel also did engineering for KGMS. No openings there either. KXOA was next on the itinerary where Gary ran into another former Don Martin classmate who was Program Director (Editor’s note: Gary Avey knows people).  There were no openings there either. Continuing  up the valley Gary stopped in at KMYC in Marysville and KUBA in Yuba City; no luck. On to Chico and first to KPAY where there was no opening and then to KHSL where Gary finally got some good news. KHSL indeed had an opening; He was hired on the spot! He says he knew the Good Lord had lead them to Chico and it’s in Chico where Gary and Norma have spent their lives raising a daughter and a son.  Gary’s  daughter and son-in-law have given them two grandchildren, a girl and a boy.

Gary Avey at KHSL-AM late ‘60s

KHSL-AM went on the air in 1935 and was a CBS Radio affiliate paired with its sister station, KHSLTV a CBS-TV affiliate which went on the air in 1953. They shared space in the same building in downtown Chico at 4th and Wall Streets. The radio and TV personnel were shared on both. Gary was able to do some on-camera TV spots as well as “voice overs” for TV. In the early ’70s Gary even did occasional subbing as anchor of their noon TV newscast. KHSL Radio’s music format was middle of the road.  He recalls that they started off each hour after the CBS newscast with an up tempo big band instrumental; then rotating vocals with occasional easy listening instrumentals. On the half hour CBS had a 5 minute feature called “Dimension” with various personalities including several of the high profile CBS News journalists back then like Walter Cronkite and even one feature done by “Dear Abby.” CBS Radio still had some remnants of “old-time” network radio. Arthur Godfrey’s daytime show was on Monday-Friday from 10:10 AM to 11:00 AM with a live small orchestra and vocalists along with Arthur’s interviews with high profile people, plus commentary on the current scene. Then at 11:10 AM it was Art Linkletter’s House Party, a simulcast of the TV show that was edited down to fit the 20 minute window for radio. In the afternoon there were various other features that were about 10 minutes in length. Long time newsman Lowell Thomas did a nightly CBS newscast at 5:00 PM. KHSL was big on local news.  A radio news producer prepared the local newscasts. Gary Gerould was the radio news director and did the morning newscasts. Gary moved on to KCRA radio and TV in Sacramento and did news and sports. He later did radio play-by-play for Sacramento Kings basketball.

Gary became the program director of KHSL-AM in 1965; he did spot production as well as riding herd on all the jocks. In addition he did a mid-afternoon air shift and lined up the music. Back in the ’60s there were only two AM stations in Chico, KHSL and KPAY, and they were in heavy competition; there were no FM stations in those days.  KHSL was big on live remotes from anywhere in the Sacramento Valley. A news cruiser was equipped with its own two-way radio system that also ran through the TV transmitter site and back to the downtown studio.

One of the promotional features at KHSL Radio was the annual KaHiSLe-Bug treasure hunt. They gave regular on-air clues as to the location of the hidden bug. The prize for the winner who found the bug was $1,290 in cash (our frequency was 1290 kHz). They finally had to cease the hunt due to problems with seekers causing property damage in search of the bug.  The hunt was then changed to a “mental” hunt rather than actually hiding the bug in a physical location.

KHSL’s station manager around 1960 behind the wheel of the KaHiSsLe-Bug!
KHSL personality Frank McDonald interviewing at the KaHiSsle-bug mobile studio circa 1966.

Gary remembers that in the late ’70s it was decided they would automate the station. It was not a good move; trying to make the system switch in and out of CBS network and trying to do voice tracks synced into music on reel-to-reel machines with the primitive computer brain proved quite difficult. The automation experiment lasted about a year and they went back to live operation. About this same time KHSL decided to switch to a “modern country” format. This turned out to be a good move and their ratings increased along with their revenue. Not long after this the company purchased land north of town and built two beautiful new studio buildings, one for radio and one for TV and moved the whole operation out of downtown. The new facility was well designed and provided much more room. New equipment included Panasonic direct-drive turntables and Revox reel-to-reel tape machines and Electro-Voice RE15 microphones. The station kept a few of the old RCA ribbon mics for old-times sake, one of which Gary has in his collection.

KHSL’s new studios in 1982.

KHSL’s station manager was Dino Corbin from the late ’70s through the modern country format. Dino came to the station in the early ’70s as a Chico State student hired to do weekends. He advanced to sales and then finally became manager. He was very instrumental in promoting the country music format and making it successful through the mid ’80s.  In 1984 Dino was promoted to station manager of KHSL-TV.  Gary continued at KHSL radio until 1989 when Dino moved him over to TV.  This was a good fit as Gary had done traffic on radio in the ’80s along with an air-shift and some production; he was given the traffic supervisor position at TV and stayed with that for 13 years.

Gary Avey at KHSL in the early 1980s before the big move to the new studios.

In the late ’90s KHSL Radio and TV were sold by the original family that had owned Golden Empire Broadcasting since 1939.  It was quite a transition for Gary and the other “ole-timers” to now be owned by a mid-west company. That didn’t last long as they were sold again after a couple of years to an east-coast company that came in and made many changes. The first of these new companies did not want the radio station, so KHSL-AM was taken over by Russ Pope, longtime director of engineering. He ran the station for a short time and an FM station was acquired which became KHSL-FM. Another of the changes was to “retire” some of the long time employees; one of them was Gary.

Alas, it was not the end of Gary’s broadcasting career; he was called back in to assist with the TV traffic part time. By this time Dino Corbin had resigned as TV manager and was hired as Market Manager by Clear Channel Communications, which had purchased KPAY-AM and its associated FMs. Gary had been in semi-retirement for about a year or so when Dino offered him a full time position as production director for his stations. So it was back out of retirement for Gary for five and a half years. He had lots of fun learning all about digital audio. Gary was happy to be back working with Dino and his staff. KHSL-FM eventually wound up in this group and continued the country format started by KHSL-AM.

Gary retired from broadcasting in 2008 after some 50 years; again, he was not completely finished. In 2017 he was able to produce and voice some historical 60 second pieces for KPAY’s ‘Morning News.”  Gary continued this until early 2020.

Gary Avey 2006 at Deer Creek Broadcasting, Chico doing production for several stations.

If you’d like to hear and learn more about Gary Avey please visit the Modesto Radio Museum’s links below:

Listen to Gary Avey (G. Martin Avey) on KFIV

Gary Avey – The Microphone Man

Gary Avey – History of Automation in Broadcasting

Shure Unidyne Model 55, 75th Anniversary

The 75th anniversary of the iconic Shure model 55 Unidyne microphone was in 2014. Yes, the year was 1939 that the Shure Company brought out the model 55. To celebrate Shure produced a limited edition version, the model 5575LE blending the original design specs of the original 55 with a modern Shure internal pickup element. I’m so glad Shure decided to honor their technological advance; the very first unidirectional, single element, dynamic microphone!

The 5575LE is a beautiful unit made just like the original with a brushed chrome plating on the “bird cage” style grill enclosure and the original red color silk screen. In addition to the modern internals Shure included an XLR connector to make it compatible with modern cables.

The Shure Model 5575LE
Shure has now discontinued this special edition model, but you can check it out on their website that has beautiful photos and specs. (Click Here)

The Modesto Radio Museum site is proud to give a salute to Shure for this milestone anniversary! Modesto’s very first commercial radio station, KTRB, used the broadcast version of the model 55 mics during the Bill Bates ownership era as documented on our site.


Historical Gene D’Accardo Interview Surfaces

Gene D’Accardo’s roots are in Modesto. He went to school here, began his radio career here and subsequently finished his illustrious broadcast career here. During his tenure in broadcast journalism, he reported on events that held worldwide interest such as the Patty Hearst kidnapping and the student unrest that took place on college campuses in California during the 1960s; he scaled the Bay Bridge to share with us how workers maintained the massive span.

D'ACCARDO, GENE
Gene D’Accardo

Gene D’Accardo began reporting the news at KTRB, Modesto in 1952. He then moved to what was KMOD (now KFIV), Modesto before moving on to KNBR, San Francisco in 1966; he eventually became News Director at KNBR. Gene was at KNBR for 23 years and was described by his colleagues as a “hard-nosed” newsman who was constantly at his desk typing out, and then reporting, the news to the Bay Area and it’s surrounding communities. He left KNBR in 1990 returning once again to KTRB in Modesto where he finished his career in broadcast journalism.

Gene D’Accardro graduated from Modesto High School in the late 1930s. He then attended Modesto Junior College (MJC) studying communications. From 1940-1942 he was a columnist for the MJC publication The Collegian. It is at this period in Gene D’Accardo’s life that we are privileged to peek through the mists of time courtesy of MJC Vice President Emeritus Dr. Steve Collins.

Modesto Junior College Vice President Emeritus Dr. Steve Collins

Dr. Collins recently gave the Modesto Radio Museum an audio copy of an interview with Gene D’Accardo from September of 1991 during which time he reminisced about the early days; the days before he entered the world of broadcast news. He talks about how these days impacted his career and his approach to life. As you listen you will be able to easily recognize that even as a young man at the beginning of his journey, Gene D’Accardo had the qualities that would carry him to success.

(The Museum thanks  John Giorgio for digitizing and preserving the above interview)

Modesto Radio Museum’s Tribute to Gene D’Accardo

Bay Area Radio Museum Hall of Fame – Gene D’Accardo

 

Neumann U47 Microphone

Previously on the Microphone Man pages we have focused on American made mics. But after WWII excellent quality foreign made units began to be available. One particular very high quality German made mic came to the US around 1950 and was an immediate hit with American record companies. This was the Neumann U47 condenser (Capacitor) microphone. The following info is from Professor Stan Coutant’s excellent microphone website:

“The Neumann Model U47 was the first post-war mic produced by Georg Neumann GmbH in West Berlin. It was designed around a Telefunken  developed steel cover radio tube, type VF14m. It became a bench mark mic in the early fifties, but was expensive at around $400. Engineers found out quickly that the sensitivity of the U 47 greatly enhanced the detail of their recordings.”

Broadcasters in the US, due to the high price, were reluctant to start using this mic at first. But later on in the ’50s some stations began to use the U47. One of the stations, KRLA in Los Angeles, used a U47 in their disc jockey studio. This mic required a rather bulky power supply and along with the high price deterred most US radio and TV stations from using this unit.
Safe to say, that most high quality LP recordings in major recording studios in the ’50s were recorded using the U47. One record company recorded major US symphony orchestras using one U47 suspended over the orchestra. The company called this method “Living Presence”. This was, of course, in the “mono” audio days.
Frank Sinatra and his “Tellie”, as he called it at Capitol Records in Hollywood.
The U47 had two basic pickup patterns, cardioid and omni, selected by a switch. The pattern selected was shown graphically in a small window just below the grill. This mic used a vacuum tube inside the bottom part of the body. The mic connected to the power supply box through a cable containing many wires.
The Telefunken branded Neumann U47 showing the heart-shaped cardioid pattern selected.
The inside of a U47 with pickup capsule on top, vacuum tube in middle.
The Neumann U47…one of the the great iconic microphones of the 20th century. More information on this mic can be seen on the Coutant Microphone website.


Glenn Fox – Aircheck

Glenn Fox was born in Modesto, CA but he grew up in Oakdale.  He graduated from Oakdale High School in 1965.  After high school Glenn attended radio school to receive his First Class Radio Telephone License from the Federal Communications Commission  subsequently engaging in a successful radio broadcasting career. He was on the air with radio stations KTRB and KHOP in Modesto in the early to mid ’70s. His last show on KTRB was January 4, 1975. Glenn was known as the “Silver Fox” in part due to his great broadcast voice. Derek Waring who worked with Glenn at KTRB during those early days recalls, “Glenn was a gentle man with a great sense of humor. He loved his job and put everything he had into it.”

Glenn at the control board, KTRB 1975

Glenn worked radio for awhile in Fort Smith Arkanas as a talk show host for KWHN. In 1993 Glenn’s parents, Allen and Marie Fox, who had originally migrated to California from Sallisaw, Oklahoma during the Great Depression, decided to move back to their home area in Sallisaw. Glenn moved with them. In the late 1990s his parents’ health declined and they moved back to Oakdale while he remained in Sallisaw. Glenn had a variety of jobs and finally purchased a local bar, The Finish Line, which he operated until about 2010. He advertised the bar as “Coldest Beer in Downtown Sallisaw.” Glenn became a great source of local and national history in both Oakdale and Sallisaw.  He often returned to Oakdale to visit family and friends, especially for class reunions.

Editor’s Note: Glenn died on June 15, 2020, at St. Francis Hospital in Tulsa, Oklahoma. He suffered a brain hemorrhage from which he did not recover. He was 73 years old. See Modesto Radio Museum’s Tribute to Glenn Fox

KTRB – Glenn Fox Show – 1975 (tape courtesy of Mike Ward)

KTRB – Glenn Fox Last Show – 1/4/1975 (tape courtesy of Mike Ward)

KTRB – Raw production tape of Glenn creating Station IDs for KTRB/KHOP – 1975 (tape courtesy of Mike Ward)

♦ Back to AIRCHECKS index page

Jay Coffey – Aircheck

Jay Coffey right where he belongs, on the air.

Jay Coffey has been Rockin’ n’ Rollin’ for decades. He began  as a bass player in San Francisco Bay Area rock bands.  His radio career began at KFIV, Modesto, California when he was hired by Program Director (PD) John Chappell on October 5, 1973.  Jay says that John gave him a chance  when no other PD would even speak to him. John guided the rookie Jay Coffey through the first few weeks and then made him his go to weekend dJ. Incidentally although he tweaked the spelling a bit,  Jay’s last name came from Coffee Road in Modesto. Jay says, “I owe a debt of gratitude to John Chappell who set me on a wonderful career path that has lasted over 47 years.

Where it all began for Jay over 47 years ago.
Jay’s resume is quite impressive. He attended De Anza Community College in Cuppertino; after getting his start in radio at KFIV he quickly climbed the broadcasting industry ladder as on air talent and in management. In June of 1974 Jay went to KOBO, Yuba City where he spent three months. The owners  then transferred him to KKIQ, Livermore and he was there until 1976. From KKIQ Jay went to KMBY in Monterey and in October of 1977 moved to a weekend slot at KIQQ, Los Angeles. One year later he went from weekends to being their full time afternoon guy. Jay worked at KIQQ until late 1985 when he went to KHJ, Los Angeles. He was then transferred to KHJ’s sister station KEARTH 101, Los Angeles where he was a fixture for the next 20 years as on air talent, music director, assistant program director and eventually, program director.  Jay has also worked at KBSG, Seattle as program director, KFRC, San Francisco as afternoon talent and most recently is with Dial Global/West Wood One as mid day air talent . Jay is dedicated to making radio fun and informative for his listeners.
Jay Coffey, half a century in broadcasting.

Aside from radio Jay is a lifelong lover of Golden Retrievers, he also acquired a soft spot for miniature Schnauzers thanks to his wife  Janet who’s been a Schnauzer enthusiast since her childhood days in Long Island, New York.


KFRC, San Francisco – 2007 – Here’s a sample of Jay Coffey’s on air talent:

Remembering KBHI – Tammy Veil

My younger brother Mike Veil and I grew up with radios, stereos and a portable cassette machine that had all the buttons on one end. We were isolated living on a ranch between Modesto and Salida back in the early ’70s, so we recorded a lot of music off of KFIV and KJOY.  We also created our own radio plays. Mike was the witty one. He could come up with voices and scripts off the top of his head and I just went along for the ride. We would act out his radio scripts and record them. Oh how I wish I had those tapes today. When he followed me into high school in 1977, he recruited me to join him in taking Ron Underwood’s Radio Broadcasting class.

BR -L-R: Harry Mersman, Gary watts, Terry Watts, Cory Christensen, Linda Wirt, Frank DeMattos, Janelle Dotson, Deanna Rule, Dave Rose, Jim Smith FR L-R: Teri Harger, Ed Steele, Cherri Ebright, Sam Thorne, Lori Hammer (Photo courtesy of Tammy Veil)

Radio Broadcasting never really entered my mind before 1977. I was enjoying my third year of Art classes with Wilda Thompson and Glenn Streeter. But Mike was my brother and family is  everything, so I began my broadcasting career at KBHI, the low power high school FM radio station run by Mr. Underwood and his Radio class participants. Being an introverted country kid I chose not to take a position with the station other than an afternoon air shift right after my brother’s shift. I met some interesting people like classmates Dave Rose and Harry Mersmann. As well as some people who already had quite and understanding of radio. The family of Kathy and John Pappas were very much into the radio business in Modesto. I have some recollection of doing news stories with Kathy, producing and completing a radio special on Neil Diamond. The most memorable moment for me at KBHI was when the entire class took a bus to San Francisco to take the Third Class Federal Communication Commission License exam. We had a rousing good time seeing the city. Who would have thought that I would work and live in San Francisco 13 years later at KXXX FM, formerly KYUU.  KBHI gave me a well grounded foundation on nomenclature, procedures and theory of radio broadcasting. I fell in love with the structure, creativity and satisfaction of producing things that a multitude of people could enjoy.

Ron Underwood saw something in me that I didn’t. He took me under his wing and did what he could to keep me focused. I disliked school even though I was pulling straight A’s;  I just wanted out of there and to get on with life. My career guidance counselor pretty much threw in the towel when I told him I would not be attending college. However, my Art instructor Mr. Streeter helped me graduate in the mid term of my senior year by assigning me an extra art project so I could obtain the credits I needed to graduate. At the same time Mr. Underwood referred me to KTRB for a job interview. I was interviewed by Randy Hill, KTRB’s chief engineer and son of Doc Hill, owner of KYOS in Merced. Randy hired me at 17 years of age to assist KTRB’s Cal Purviance with the new KHOP FM automation machine. I fell in love with radio and left my mediocre artistic talents behind to pursue a career in Broadcasting.

Tammy on the air at KTRB in early 1980s (Photo courtesy of Tammy Veil).

Little did I know that my brother Mike, KBHI, Ron Underwood and Randy Hill would help me find my passion, kick off my career and give me the best memories of my younger adult years. I am grateful for all of them who saved this lost and wandering soul. And I am grateful to all of the great people at KTRB/KHOP who helped ‘raise me up’ to be a productive, law abiding young adult. Thank you.

Listen to  Tammy Lynn – Aircheck

Read  Tammy Lynn (Veil-Drew) Remembers KTRB-KHOP