Editors note: This Modesto Bee article appeared on November 21st, 1968. Later, Bee Photographer Al Golub added follow-up commentary. Special thanks to Al, a friend of the Museum, for permission to archive his story.
November 21, 1968
Wellesley Richard “Dick” Boynton was the news editor at KBEE AM, The Modesto Bee’s sister radio station. In November 1968, Dick volunteered to be my subject for a day-in-the-life-of-a-radio-reporter story. My goal was to improve my story-telling skills.
I asked Dick to just do his job and ignore me. We met at 6 a.m. at the Stanislaus County jail to get booking information.
Then we were off to Modesto Police Department to read the police logs.
At MPD, we discovered a big story was unfolding. Stanislaus County Superintendent of Schools Fred Beyerand his deputy Joseph Howard had died the night before in a plane crash coming back from Fresno.
Making images was easy under these circumstances: I just followed Dick as he worked. I moved in and out while Dick ignored me, just as I had asked. When he finally sat down to write copy, he talked aloud and banged away on his typewriter. Next thing I knew, he was on the air broadcasting the news.
Boynton worked as the news editor for KBEE for nearly a decade under managers Roy Swanson and Ed Boyle. Earlier in his career, his deep, resonant voice was heard on the airwaves at KWG in Stockton. Boynton had also worked as a newsman for radio stations in Salinas and San Diego. Among racing fans, Dick was known as a winning driver of dragsters and super-stock cars.
Richard Strauss’schildhood mimicked countless other youngsters: he was hooked on radio.
One generation before Richie’s childhood (he was “Richie” during his younger days), a household’s radio was large, was placed on the kitchen counter, and was controlled by the parent. Kids listened to Arthur Godfrey, because they were forced to. Or Don McNeil’s Breakfast Club, which didn’t appeal to youngsters, but it was better than going hungry. Then, in 1957 things changed. It was the year Sony mass produced the transistor radio. Overnight radios the size of toasters were replaced by radios the size of cell phones. Since transistors didn’t require much electricity, they ran on batteries. Wow, they were small, lightweight, and could go anywhere!! They were personal! Since they came with a little earpiece, they were private!! They made a worldwide splash, and they made Richie Strauss’s world.
Day and night, the radio was on, on the way to school, even during school, at home doing homework, at bedtime, under the covers. It was non-stop, it was addictive, it was fun! The radio station with the most fun was KFIV, known as K-5, Modesto’s first Top 40 Radio Station!
Oh, what a station. The music was modern and fun. The disc jockeys were glib, clever, and shared the Low Down on Mo-Town (they knew what was going on in and around Modesto). What’s more, you could call them on the phone!! They were friendly, would joke around with you, and sometimes they played your request.
But for Richie, contests were the real fun. They were non-stop. K-5would give away a brand new ten-speed bike a day for 30 days, and the following day the next contest began. The size of the prize didn’t matter, from movie tickets, to K-Tel albums, to ski lift passes, to crisp clean hundred-dollar bills, it was fun to play and even more fun to win.
Richie played as often as K-5 allowed.
Often the contestant would have to be “caller number 5” or “13” or “27.” Richie’s house had two phones. He would call on one, and then start dialing on the other. He might be caller “3” and then “11” and then “18”. And sometimes he got to play. These persistent players were given a nickname! The KFIVProgram Director, Larry Maher, called themContest Cuties! Richie was a dedicated Contest Cutie Craftsman. Sometimes he won “older people’s” prizes, such as concert tickets to see Englebert Humperdink, or Liza Minelli. Those tickets he gave to his parents.
One time, K-5 virtually hid an ounce of solid gold. Listeners did not go dig up the town looking for the gold; they listened for, and studied the clues, which went from vague to more and more precise. As an example, one ounce of gold was hidden inside the skull at the old dental office exhibit at the McHenry Museum. (Note: as the clues revealed the gold was somewhere inside the Museum, the McHenry Museum set all-time attendance records!! The curator couldn’t figure out what was going on!)
Back to Richie. He had a cassette player, and he recorded every contest he played. When it came to contests, Richie was practically an on-air regular. The jocks could have fun with him. One time, Radio Rick, on the air, took Richie’s guess, and said, “Richie, over here, I have a big book where we write down the names of people with wrong guesses. Next to that book, we have one piece of paper where we write down the winning name. Richie Strauss of Modesto, your name goes. . . . into The Big Book of Losing Guesses!”
Along with all this good fun, Richie fell in love with radio. His father’s friend, Jerry Rosenthal, managed one of the local stations, and he helped Richie get an intern job at KTRB with news director, Carol Benson.
He graduated from Davis High School in 1988, and then on to UCLA. He is now Richard, and his extracurricular activities centered around KLA, the university’s station. He wrote and delivered newscasts, and covered news and sporting events. He was at the press conference in 1991 when Magic Johnsonannounced to the world he had H.I.V. and was retiring. With his press pass, Richard covered sports for free, would record quotes from coaches and players, and feed the audio to radio stations. This Free Lance work paid him fifteen dollars per audio feed. Not bad for watching games for free.
In his senior year, Richard left school to work in the Bill Clinton Presidential Campaign. Traveling with the campaigners, his hard work impressed the Clinton staff. Dating back to Franklin D. Roosevelt in the 1930s, Presidents delivered weekly Radio Addresses.
Bill Clinton won the ’92 election, and with his knowledge of the inner workings of the medium, Richard Strauss was appointed White House Radio Director.
Hard work and long hours paid off, and Richard took what he learned about public relations, and started Strauss Media Strategies, which has grown into the nation’s premier communications, public relations, consulting and strategy firm specializing in comprehensive radio and television media relations services. Now in its 25th year Strauss Media has offices in Washington, New York, Charlotte, and Los Angeles.
The Modesto Radio Museum mourns the loss of Don Maddox, the last surviving member of “The Maddox Brothers and Rose.”
They began singing on KTRBin 1937, sponsored by Rice Furniture. Radio propelled them into Central Valley Superstars, and Maddox Brothers and Rose went on to nationwide fame, with hit records and concerts throughout America. They were favorites on The Louisiana Hayride and the Grand Ole Opry.
Don had a wonderful career resurgence 50 years after his success with Maddox Bros and Rose, playing at the Britt Festival in Jacksonville, Oregon, opening for Big and Rich, performing at the Muddy Roots festival in Cookeville, Tennessee, in 2011 and 2012, playing on The Marty Stuart Show, and a receiving a standing ovation show at the Grand Ole Opry. He also performed in Las Vegas at the first annual Rockabilly Rockoutat the Gold Coast Casino on October 5, 2014.
From a broadcast, a medley of songs, and a promo for their sponsor:
Here’s a favorite microphone of disc jockeys; a high quality cardioid dynamic unit designed and made in Germany. The Sennheiser MD 421 came out originally back in the 1960s. This mic is still used at radio stations all over the country to this day.
The MD 421 has a robust sound; it has a slight boost in the mid-high frequency range for a brilliant response. The MD 421 is also fitted with a low frequency roll off switch to compensate for close talking.
All in all the MD 421 is an excellent choice for radio control rooms and is a top choice of many announcers and voice-over artists. So we chose the MD 421 to add to our Mr. Microphone line-up on the Modesto Radio Museum site!
Hear and see demonstrations of the Sennheiser MD421 microphone on the Coutant Microphone Website links below:
Mel Williams, a wise and well-respected member of the Modesto community, was familiar to radio audiences for nearly a quarter-century as a genial program host who offered up mellow sounds and insight commentary drawn from his encyclopedic knowledge of music. In addition, he was an accomplished musician.
Mel’s radio career began in 1974 with a one-hour program on KHOP in Modesto. Following KHOP he found a home at KUOP-FM where jazz listeners from throughout the valley would tune in at 6 o’clock to hear him open his KUOP-FM show with: “Good evening, my wonderful listening audience…this is the world of Mel Williams.” He was at KUOP-FM for 13 years. In a 1990 interview, Mel said: “Music is my first love, and it will probably be my last.
Mel Williams died May 30, 1999 in Modesto, CA. He was 69.
Here’s a segment from “The World of Mel Williams,” courtesy of KUOP-FM.
The following airchecks were donated to the Modesto Radio Museum by Christian Walter of Pocatello, Idaho. Christian lived in Modesto back in the ’90s and recorded many of “The World of Mel Williams” programs.
The World of Mel Williams on KUOP-FM, hour one from March, 1996
The World of Mel Williams on KUOP-FM, hour two from March, 1996
Gary Avey’s interest in radio began as a youngster back in the early 1950s. He was fascinated with, of all things, microphones! Belonging to the 4H club in the San Fernando Valley of Southern California, Gary was able to acquire PA sound equipment from selling animals at auction at the local fair. He used that sound system for their monthly 4H meetings and other 4H events.
Growing up in the LA area Gary loved listening to the wide variety of radio stations, noting how their different formats worked. He watched a lot of early ’50s TV as well and noted how microphones were used in different program situations (Editor’s Note: Gary is our Microphone Man). Gary’s dad encouraged his interest and after graduating from high school he decided he wanted to enroll in the radio broadcasting course offered at the Don Martin School of Radio and Television Arts and Sciences in Hollywood. This school offered a complete course that included instruction in all phases of radio production and announcing as well as Federal Communications Commission (FCC) First Class Radiotelephone license test preparation. After completing the year long course and getting his FCC license Gary was hired at KYOS radio in Merced, Ca. in 1959; his very first job in radio.
KYOS was an old station that dated back to the mid 1930s. It was a 5,000 Watt full time AM station with a directional pattern at night which required an operator with a “first phone” FCC license. KYOS had an M-O-R, or “middle of the road” type music format with Mutual Network newscasts every hour. At night they had a teen music show called: “Rotinom” which was a title the station manager came up with. It was “Monitor” spelled backwards! Gary says he is sure the kids listening had no idea what Monitor, the NBC Radio Network’s weekend program that started in the mid ’50s was. Rotinom was an all request teen record show in that very beginning era of “rock ‘n roll” music. Gary says he was “thrown” into doing this show every night Monday through Friday which was quite an adjustment for him as he didn’t even like rock ‘n roll at the time! He did survive the test and learned quite a lot about this new music called rock “n roll. KYOS, after about a year, converted to a Top 40 music station guided by programming consultant, Ted Randall, who was a popular personality at San Francisco’s KOBY. Ted supplied KYOS with copies of all the Top 40 records which made things much easier than if they would have had to get them themselves. Gary was assigned the duties of “music director” at KYOS; this entailed lining up the order of play of all the music for each DJ shift. He remained at KYOS for two more years gaining valuable experience.
After KYOS Gary moved up Highway 99 to Modesto’s Top 40 station, KFIV . At K5, as it was called, their format was known as: “The Top 45 on K5.” It was a much better run operation than KYOS; their studios were better equipped to deliver the fast paced rock ‘n roll format. The building was built as a radio station; the studios were well designed and had a “sound lock” where one walked into a small room and the door closed behind them then they could go into the small production studio or the bigger main control room through their doors; this kept outside sounds from entering the broadcast studios. K5 did not yet have cartridge tape machines, all local recorded spots had to be played on reel-to-reel tape machines from small 3 inch reels. The DJs were constantly “cueing” up tapes on five Magnecorder tape machines as well as cueing up 45 rpm records. It was a whirlwind of activity. Gary’s boss at the time said, “being a disc jockey is like a being a one armed wall paper hanger!”
K5’s operations manager was Gene D’Accardo who had been with KMOD and KTRB. Gene also did a 15 minute local newscast at noon, as well as a later afternoon newscast. He was the production guy voicing most of the recorded local commercials as well as promos. Gene went on to become a newsman and eventually News Director at NBC’s KNBR in San Francisco.
Mel Freedman, K5’s chief engineer, was installing the first cart machines on Gary’s last day at the station! Mel was quite a character and a superb engineer who really knew his stuff. Being a DJ was not something Mel aspired to be but he did reluctantly pull an air shift. He followed Gary from 8:00 PM to midnight, at which time K5 signed off the air until the next morning. Mel didn’t say much on the air just the minimum to get by; he definitely was NOT a “rock jock” but he was an excellent chief engineer.
K5 used four turntables in the control room, two 12 inch Presto units that were only used to play the music on 45 rpm records and two larger 16 inch turntables that were used to play the various “agency” commercials that, in those days, were recorded on 12 inch records called “ETs” for “electrical transcriptions.”
KFIV had only had those call letters for about 4 years, when Gary was there, it had been KMOD before that. KMOD was an ABC radio affiliate and KFIV continued that affiliation which meant that they carried many network programs including Don McNeil’s “Breakfast Club” every morning and a few ABC news and comment programs in the late afternoon.
Gary Avey was all of 22 years old when he worked at K5; he enjoyed his time there and would liked to have stayed longer. Instead he joined the Navy and became an electronics tech, receiving his training at Treasure Island in San Francisco. It was also at this time that he married his wife Norma just before setting sail across the Pacific to Hawaii and then to the Philippines to Subic Bay Naval Station.
While at Subic Bay the Navy found out that Gary had radio experience so he had the opportunity to work at an Armed Forces Radio Service (AFRS) station on the base. It was a little 250 watt AM station that even had call letters, KCMB. Gary recalls that Armed Forces Service stations were not really supposed to have call letters but this station was somehow allowed to use them. Gary was assigned to do the morning show for KCMB. He used music that was produced and sent over from the Hollywood headquarters of AFRS on pressed vinyl records. These were 12 inch LPs that had multiple cuts on them with the top tunes by the original artists in the Top 40 and easy listening genres. KCMB also had recordings of state side radio programs that could be scheduled as needed. The morning show was fun says Gary; he was given free reign to do the show as he wanted with no hard and fast rules. There were many Navy families living on the base who listened, as well as the Filipino community in the nearby town who loved listening to American radio. Gary was required to read the news on occasion. This duty usually popped up when the taped newscasts from AFRS shortwave stations in South Korea or Japan were of such poor quality that they could not be broadcast. KCMB did have an American wire services teletype machine but even that was “iffy” due to the poor condition of the telephone lines in the Philippines.
After the Navy Gary returned to California in 1963. He needed a job and radio seemed to be the most logical way to go. So Gary began his search; he searched and he searched. Starting with KFIV he talked with Gene D’Accardo about coming back. Gene had an opening but it was the all night shift and Gary wanted none of that. He headed up Stockton way stopping at KSTN which at the time was under the consultation of Bill Drake of “Boss Radio” fame. It was early in his career and shortly before Drake began programing KHJ in Los Angeles and KFRC in San Francisco. KSTN did not have an opening. Next it was over to San Francisco where Gary visited an old Don Martin classmate, Bill Keffury, who had become the Program Director of KYA. Bill took Gary and his wife Norma out to dinner and gave them a tour of the station. Gary decided he was not quite ready for San Francisco radio though! Next stop Santa Rosa where Gary met with another of his Don Martin buddies, who did the morning show at KSRO; no openings there either.
Maybe there was a place for Gary up Sacramento way! He started up the Sacramento Valley checking in at KGMS which happened to be owned by the same people who owned KFIV. Gary walked into the building and ran into Mel Freedman! Mel also did engineering for KGMS. No openings there either. KXOA was next on the itinerary where Gary ran into another former Don Martin classmate who was Program Director (Editor’s note: Gary Avey knows people). There were no openings there either. Continuing up the valley Gary stopped in at KMYC in Marysville and KUBA in Yuba City; no luck. On to Chico and first to KPAY where there was no opening and then to KHSL where Gary finally got some good news. KHSL indeed had an opening; He was hired on the spot! He says he knew the Good Lord had lead them to Chico and it’s in Chico where Gary and Norma have spent their lives raising a daughter and a son. Gary’s daughter and son-in-law have given them two grandchildren, a girl and a boy.
KHSL-AM went on the air in 1935 and was a CBS Radio affiliate paired with its sister station, KHSLTV a CBS-TV affiliate which went on the air in 1953. They shared space in the same building in downtown Chico at 4th and Wall Streets. The radio and TV personnel were shared on both. Gary was able to do some on-camera TV spots as well as “voice overs” for TV. In the early ’70s Gary even did occasional subbing as anchor of their noon TV newscast. KHSL Radio’s music format was middle of the road. He recalls that they started off each hour after the CBS newscast with an up tempo big band instrumental; then rotating vocals with occasional easy listening instrumentals. On the half hour CBS had a 5 minute feature called “Dimension” with various personalities including several of the high profile CBS News journalists back then like Walter Cronkite and even one feature done by “Dear Abby.” CBS Radio still had some remnants of “old-time” network radio. Arthur Godfrey’s daytime show was on Monday-Friday from 10:10 AM to 11:00 AM with a live small orchestra and vocalists along with Arthur’s interviews with high profile people, plus commentary on the current scene. Then at 11:10 AM it was Art Linkletter’s House Party, a simulcast of the TV show that was edited down to fit the 20 minute window for radio. In the afternoon there were various other features that were about 10 minutes in length. Long time newsman Lowell Thomas did a nightly CBS newscast at 5:00 PM. KHSL was big on local news. A radio news producer prepared the local newscasts. Gary Gerould was the radio news director and did the morning newscasts. Gary moved on to KCRA radio and TV in Sacramento and did news and sports. He later did radio play-by-play for Sacramento Kings basketball.
Gary became the program director of KHSL-AM in 1965; he did spot production as well as riding herd on all the jocks. In addition he did a mid-afternoon air shift and lined up the music. Back in the ’60s there were only two AM stations in Chico, KHSL and KPAY, and they were in heavy competition; there were no FM stations in those days. KHSL was big on live remotes from anywhere in the Sacramento Valley. A news cruiser was equipped with its own two-way radio system that also ran through the TV transmitter site and back to the downtown studio.
One of the promotional features at KHSL Radio was the annual KaHiSLe-Bug treasure hunt. They gave regular on-air clues as to the location of the hidden bug. The prize for the winner who found the bug was $1,290 in cash (our frequency was 1290 kHz). They finally had to cease the hunt due to problems with seekers causing property damage in search of the bug. The hunt was then changed to a “mental” hunt rather than actually hiding the bug in a physical location.
Gary remembers that in the late ’70s it was decided they would automate the station. It was not a good move; trying to make the system switch in and out of CBS network and trying to do voice tracks synced into music on reel-to-reel machines with the primitive computer brain proved quite difficult. The automation experiment lasted about a year and they went back to live operation. About this same time KHSL decided to switch to a “modern country” format. This turned out to be a good move and their ratings increased along with their revenue. Not long after this the company purchased land north of town and built two beautiful new studio buildings, one for radio and one for TV and moved the whole operation out of downtown. The new facility was well designed and provided much more room. New equipment included Panasonic direct-drive turntables and Revox reel-to-reel tape machines and Electro-Voice RE15 microphones. The station kept a few of the old RCA ribbon mics for old-times sake, one of which Gary has in his collection.
KHSL’s station manager was Dino Corbin from the late ’70s through the modern country format. Dino came to the station in the early ’70s as a Chico State student hired to do weekends. He advanced to sales and then finally became manager. He was very instrumental in promoting the country music format and making it successful through the mid ’80s. In 1984 Dino was promoted to station manager of KHSL-TV. Gary continued at KHSL radio until 1989 when Dino moved him over to TV. This was a good fit as Gary had done traffic on radio in the ’80s along with an air-shift and some production; he was given the traffic supervisor position at TV and stayed with that for 13 years.
In the late ’90s KHSL Radio and TV were sold by the original family that had owned Golden Empire Broadcasting since 1939. It was quite a transition for Gary and the other “ole-timers” to now be owned by a mid-west company. That didn’t last long as they were sold again after a couple of years to an east-coast company that came in and made many changes. The first of these new companies did not want the radio station, so KHSL-AM was taken over by Russ Pope, longtime director of engineering. He ran the station for a short time and an FM station was acquired which became KHSL-FM. Another of the changes was to “retire” some of the long time employees; one of them was Gary.
Alas, it was not the end of Gary’s broadcasting career; he was called back in to assist with the TV traffic part time. By this time Dino Corbin had resigned as TV manager and was hired as Market Manager by Clear Channel Communications, which had purchased KPAY-AM and its associated FMs. Gary had been in semi-retirement for about a year or so when Dino offered him a full time position as production director for his stations. So it was back out of retirement for Gary for five and a half years. He had lots of fun learning all about digital audio. Gary was happy to be back working with Dino and his staff. KHSL-FM eventually wound up in this group and continued the country format started by KHSL-AM.
Gary retired from broadcasting in 2008 after some 50 years; again, he was not completely finished. In 2017 he was able to produce and voice some historical 60 second pieces for KPAY’s ‘Morning News.” Gary continued this until early 2020.
If you’d like to hear and learn more about Gary Avey please visit the Modesto Radio Museum’s links below:
The 75th anniversary of the iconic Shure model 55 Unidyne microphone was in 2014. Yes, the year was 1939 that the Shure Company brought out the model 55. To celebrate Shure produced a limited edition version, the model 5575LE blending the original design specs of the original 55 with a modern Shure internal pickup element. I’m so glad Shure decided to honor their technological advance; the very first unidirectional, single element, dynamic microphone!
The 5575LE is a beautiful unit made just like the original with a brushed chrome plating on the “bird cage” style grill enclosure and the original red color silk screen. In addition to the modern internals Shure included an XLR connector to make it compatible with modern cables.
Shure has now discontinued this special edition model, but you can check it out on their website that has beautiful photos and specs. (Click Here)
The Modesto Radio Museum site is proud to give a salute to Shure for this milestone anniversary! Modesto’s very first commercial radio station, KTRB, used the broadcast version of the model 55 mics during the Bill Bates ownership era as documented on our site.
Gene D’Accardo’s roots are in Modesto. He went to school here, began his radio career here and subsequently finished his illustrious broadcast career here. During his tenure in broadcast journalism, he reported on events that held worldwide interest such as the Patty Hearst kidnapping and the student unrest that took place on college campuses in California during the 1960s; he scaled the Bay Bridge to share with us how workers maintained the massive span.
Gene D’Accardo began reporting the news at KTRB, Modesto in 1952. He then moved to what was KMOD (now KFIV), Modesto before moving on to KNBR, San Francisco in 1966; he eventually became News Director at KNBR. Gene was at KNBR for 23 years and was described by his colleagues as a “hard-nosed” newsman who was constantly at his desk typing out, and then reporting, the news to the Bay Area and it’s surrounding communities. He left KNBR in 1990 returning once again to KTRB in Modesto where he finished his career in broadcast journalism.
Gene D’Accardro graduated from Modesto High School in the late 1930s. He then attended Modesto Junior College (MJC) studying communications. From 1940-1942 he was a columnist for the MJC publication The Collegian. It is at this period in Gene D’Accardo’s life that we are privileged to peek through the mists of time courtesy of MJC Vice President Emeritus Dr. Steve Collins.
Dr. Collins recently gave the Modesto Radio Museum an audio copy of an interview with Gene D’Accardo from September of 1991 during which time he reminisced about the early days; the days before he entered the world of broadcast news. He talks about how these days impacted his career and his approach to life. As you listen you will be able to easily recognize that even as a young man at the beginning of his journey, Gene D’Accardo had the qualities that would carry him to success.
(The Museum thanks John Giorgio for digitizing and preserving the above interview)
Previously on the Microphone Man pages we have focused on American made mics. But after WWII excellent quality foreign made units began to be available. One particular very high quality German made mic came to the US around 1950 and was an immediate hit with American record companies. This was the Neumann U47 condenser (Capacitor) microphone. The following info is from Professor Stan Coutant’s excellent microphone website:
“The Neumann Model U47 was the first post-war mic produced by Georg Neumann GmbH in West Berlin. It was designed around a Telefunken developed steel cover radio tube, type VF14m. It became a bench mark mic in the early fifties, but was expensive at around $400. Engineers found out quickly that the sensitivity of the U 47 greatly enhanced the detail of their recordings.”
Broadcasters in the US, due to the high price, were reluctant to start using this mic at first. But later on in the ’50s some stations began to use the U47. One of the stations, KRLA in Los Angeles, used a U47 in their disc jockey studio. This mic required a rather bulky power supply and along with the high price deterred most US radio and TV stations from using this unit.
Safe to say, that most high quality LP recordings in major recording studios in the ’50s were recorded using the U47. One record company recorded major US symphony orchestras using one U47 suspended over the orchestra. The company called this method “Living Presence”. This was, of course, in the “mono” audio days.
The U47 had two basic pickup patterns, cardioid and omni, selected by a switch. The pattern selected was shown graphically in a small window just below the grill. This mic used a vacuum tube inside the bottom part of the body. The mic connected to the power supply box through a cable containing many wires.
The Neumann U47…one of the the great iconic microphones of the 20th century. More information on this mic can be seen on the Coutant Microphone website.
Glenn Fox was born in Modesto, CA but he grew up in Oakdale. He graduated from Oakdale High School in 1965. After high school Glenn attended radio school to receive his First Class Radio Telephone License from the Federal Communications Commission subsequently engaging in a successful radio broadcasting career. He was on the air with radio stations KTRB and KHOP in Modesto in the early to mid ’70s. His last show on KTRB was January 4, 1975. Glenn was known as the “Silver Fox” in part due to his great broadcast voice. Derek Waring who worked with Glenn at KTRB during those early days recalls, “Glenn was a gentle man with a great sense of humor. He loved his job and put everything he had into it.”
Glenn worked radio for awhile in Fort Smith Arkanas as a talk show host for KWHN. In 1993 Glenn’s parents, Allen and Marie Fox, who had originally migrated to California from Sallisaw, Oklahoma during the Great Depression, decided to move back to their home area in Sallisaw. Glenn moved with them. In the late 1990s his parents’ health declined and they moved back to Oakdale while he remained in Sallisaw. Glenn had a variety of jobs and finally purchased a local bar, The Finish Line, which he operated until about 2010. He advertised the bar as “Coldest Beer in Downtown Sallisaw.” Glenn became a great source of local and national history in both Oakdale and Sallisaw. He often returned to Oakdale to visit family and friends, especially for class reunions.